Site(s) Specific Performance Writing Installation in Virtual and Physical Space
 | What is the language that makes questions most accessible to inhabitants, workers and passers by? How might a question placed in an abandoned due to the financial crisis high-street store and the printed and online version of the hip free press, may raise questions of belonging and claiming of a collectively desirable inhabiting of a place? |
Performance Writing Binaural Word Choreography
 | How do you make works “move in space and time”? Which region, organ, emotional event, sexual orientation or place in the room do words originate from? How may digital processes of various levels of fidelity, challenge the original event as subject to the physiological functions of perception of living and non-living entities? How is that offered as an all-audiences accessible experience? |
Site(s) Specific Performance Writing Installation in Virtual and Physical Space
 | What constitutes a horizon? Why do some promises have decisive importance, even when we know from the outset that they will (probably) go down in history as unfulfilled? Do limitations divide or unite, do they hinder or do they incite meetings? Randomness, study, passion, art and responsibility, dreams and sea. |
Improvisation 101 for Drama Students employing the body/word method
 | What is improvisation for you? How can the body inform your tools for perception, expression? How can you forge a unique, updated improvisation methodology? Last, but not least, how can your training make the most of multimodality? |
Continue reading “Improvisation I 1st Year Veaki Drama School”
