Hopefully by December, all projects will be uploaded, both in Greek and English, with more photos and videos.
Thanks toStefanos Stathopouloswho amid a pandemic, has patiently examined all my dreams and experience, listened to my brief and walked me through a lovely journey.
This website and the projects portrayed would not have been possible without the kind support of Aud Ray Inc. and many unofficial residencies in various countries since 1998. Much grateful.
Thanks to everyone who has gently pushed me to do it in the past years. Thank you for your feedback on previous website drafts, too. It took a pandemic, but now it’s here to stay and connect more people.
Feel free to get in touch yourselves. Looking forward to hearing from you.
Greek Language Online Course for Young Students. Start yours anytime, from any part of the world.
M. is a young Greek-Cypriot girl with loads of imagination and a flair for languages. Having attended solely English speaking schools around the world, currently residing in Saudi Arabia, her parents were looking for an online Greek language course that M. would enjoy.
Concentration, self-control, relaxed focus, succinct articulation are essential components of professional efficiency in every language and every working environment. Public speaking is the way to convey these in your work. body/word is the way to secure you excel.
“In time unsuspected, enters the unexpected” A public space dance performance by Kinitiras based on my poem, “In Time Unsuspected”. It traveled in different squares in Athens, before it appeared at the central square of Kalamata in the frame of the Kalamata International Dance Festival.
Site(s) Specific Performance Writing Installation in Virtual and Physical Space
What constitutes a horizon? Why do some promises have decisive importance, even when we know from the outset that they will (probably) go down in history as unfulfilled? Do limitations divide or unite, do they hinder or do they incite meetings? Randomness, study, passion, art and responsibility, dreams and sea.
Improvisation 101 for Drama Students employing the body/word method
What is improvisation for you? How can the body inform your tools for perception, expression? How can you forge a unique, updated improvisation methodology? Last, but not least, how can your training make the most of multimodality?