How do you make works “move in space and time”? Which region, organ, emotional event, sexual orientation or place in the room do words originate from? How may digital processes of various levels of fidelity, challenge the original event as subject to the physiological functions of perception of living and non-living entities? How is that offered as an all-audiences accessible experience?
Hopefully by December, all projects will be uploaded, both in Greek and English, with more photos and videos.
Thanks toStefanos Stathopouloswho amid a pandemic, has patiently examined all my dreams and experience, listened to my brief and walked me through a lovely journey.
This website and the projects portrayed would not have been possible without the kind support of Aud Ray Inc. and many unofficial residencies in various countries since 1998. Much grateful.
Thanks to everyone who has gently pushed me to do it in the past years. Thank you for your feedback on previous website drafts, too. It took a pandemic, but now it’s here to stay and connect more people.
Feel free to get in touch yourselves. Looking forward to hearing from you.
Keynote Presentation on body/word and Performance Writing – March 2018
So, what is this multimodal approach to writing, called body/word and how has it been useful in research, creation and education since 2009? An overview of it’s history and relation to DCA’s Performance Writing.
A panel dedicated to Performance Writing as practiced in Dartington College of Arts – March 2018
A unique combination of Performance Writing Academics and Practitioners share their take on Performance Writing and it’s applications in contemporary education. In the frame of 2nd Congress Performing Arts in Education, University of Patras, Archaelogical Museum of Patras, Funded by the University of Patras, Research Committee, for the 1st time in Greece.
Site(s) Specific Performance Writing Installation in Virtual and Physical Space
What constitutes a horizon? Why do some promises have decisive importance, even when we know from the outset that they will (probably) go down in history as unfulfilled? Do limitations divide or unite, do they hinder or do they incite meetings? Randomness, study, passion, art and responsibility, dreams and sea.